Hans Zimmer's Work May Have Been Reproduced
The Monuments Men movie recently had its trailer released. It
does have a rather interesting premise with a bunch of experts trying to
recover art stolen by the Nazis. On a certain level, it resembles a milder,
family friendly version of ‘Inglourious Basterds.’ I say this because both
movies strike a similar tone, with the primary intention of screwing Hitler
over.
But then the latter half of the trailer took a different
turn, trying to elevate the movie to
somewhat of an epic status through the use
of the music and George Clooney’s speech. I wasn’t wholeheartedly convinced
about the matter because something about the trailer music sounded wrong… or
rather familiar.
I watched the trailer again, paying close attention to the
music that builds up towards the end. By that time I was certain that this song
was borrowed from another movie. Then it struck me that the song was ripped off
‘Inception’, where Hans Zimmer was responsible for the score. Firstly, I must
say that I may be alone in harboring such an opinion. But if the song was
borrowed, my impression of the movie has been already reduced to cinders. Clooney
and company may have received permission to use the song, but it simply makes
their product unoriginal, even if it is for a trailer.
The movie is one I’m considering watching, given the star
studded line up. But my point here is a more general one regarding movie
soundtracks. Increasingly, films try to feature sweeping, grand scores that
somehow tries to lift the stakes. For the Monuments Men, this is appropriate
since this band of disparate people led by Clooney is trying to save centuries worth
of arts and culture. But the problem occurs when the music seems bland and
generic. From one point of view, this is bound to happen because producers
frequently go to a few key composers. The man in charge of The Monuments Men
soundtrack is Alexandre Desplat, who has worked on even the Harry Potter films.
Each composer has a certain trademark so inevitably, we seem to recognize that
person’s score easily, because we’re familiar with his previous work. This gives
the feeling of the work being borrowed, or reproduced.
This is why many people are unhappy with Hans Zimmer and his
work on Man of Steel, despite my being a fan of his work on that outing. His mixture
of classical music and electronica is instantly detectable. But in this case, I’m
certain that The Monuments Men took Zimmer’s work from Inception for their
trailer. They may have acquired the rights, but it still smears the goodwill of
the movie because the music idea wasn’t theirs to begin with. That song is
identifiable with another blockbuster hit, Inception, so naturally, people will
be put off by this reproduction. Comments on the YouTube page also made references
to this situation of piracy. It’s intellectual theft. This minor decision may
have ultimately placed Clooney’s movie on the back foot.
No comments:
Post a Comment